The imaginary Indian
by Daniel Francis
In this introduction, D. Francis narrates his personal
experience while visiting Head-Samshed-In in southwest Alberta. He starts by
describing and illustrating the current small sized museum and the vast prairie
views from the clifftop across. The author continues describing how his
attention shifted from the display in the museum to the people who were working
in it. D. Francis observed how the staff did not represent his concept of
Indian, or what he was taught an Indian should look like. After spending an
entire afternoon learning about the buffalo, he left the museum knowing that he
had changed his perception about what an Indian is.
He continues his introduction by citing Charles Mair’s
historical events from 1899. Mair had travelled to the far Northwest in order
to negotiate with Native people and was profoundly disappointed to find “a
group of commonplace men smoking briar-roots.” D. Francis illustrates this
example in order to compare and contrast Mairs’ experience with his own
experience. He highlights the similarities between both events even though they
were about a century apart. He then recognizes that Indians, as we think we
know them, do not exist.
Francis resumes his book introduction by describing historical
events when Europeans first arrived in America and established contact with
indigenous cultures. He outlines how the concept of “Indian” is the invention
of the European, and how the idea and the image of the Indian is a white
conception.
In The imaginary
Indian, the author wants to clarify that the book is meant to reflect on
the images White Canadians created of Native people and not about what Native
people are. The main argument in his book being that there is no such thing as
a real Indian.
The book examines where the Imaginary Indian came from, how
Indian imagery has affected public policy in Canada and how it has shaped, and
continues to shape, the myths non-Natives tell themselves about being
Canadians. D. Francis claims that Europeans have tended to imagine the Indian
rather than to know Native people. He concludes his introduction by underlining
how as part of the legacy of the Imaginary Indian we lack a terminology with
which to clearly speak about certain topics involving Indians, Natives, and
Euro-Canadians.
The Imaginary Indian
can be used as a way to promote understanding about non-native perceptions in
Canada. As educators, we can use this reading to better understand the
historical processes through which constructions are assembled and become
powerful. My question for this reading would be, how could we as educators begin
accurately portraying and facilitating a different perspective of native
people?
Reference:
Francis, D. (1992). Introduction. The imaginary Indian the image of the Indian in Canadian culture (pp.
1-9). Vancouver, BC: Arsenal Pulp Press
Thank you for the great summary, Ricardo. Your question at the end is also one that I share. In the past, I have always enjoyed when learning about Aboriginals and their history when we were able to get people from within the community to come speak to us and share their own personal experiences. I think having members of the Aboriginal communities, those living on and off of reserves, living in rural/urban areas, coming into the classroom to talking is much more memorable and interesting than reading about their history (that has likely been written from a non-native perspective).
ReplyDelete